{"id":23521,"date":"2023-10-05T17:49:04","date_gmt":"2023-10-05T16:49:04","guid":{"rendered":"https:\/\/aloudmusic.com\/producto\/los-sara-fontan-queda-pendiente-white-edition-vinyl\/"},"modified":"2024-01-25T11:51:32","modified_gmt":"2024-01-25T10:51:32","slug":"los-sara-fontan-queda-pendiente-white-edition-vinyl","status":"publish","type":"product","link":"https:\/\/aloudmusic.com\/en\/producto\/los-sara-fontan-queda-pendiente-white-edition-vinyl\/","title":{"rendered":"Los Sara Fontan &#8211; Queda Pendiente (White Edition Vinyl)"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Militancy, ideals and particular and personal ways of thinking have become a <em>rare sight<\/em> in the world of music, where bands, festivals and brands seem determined to turn music into a clone factory with nothing that differentiates projects from one to the next.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When <strong>Los Sara Fontan<\/strong> started playing live around 2019, they decided to do it without recording any albums. Never. An anti-industry \u201cquixotesque\u201d move that nevertheless has allowed them to play and surprise hundreds of spectators during their shows (close to 200) throughout Spain, France, Germany, Switzerland, Finland, England or Portugal Nobody knew what to expect and the surprise effect amplified what came from the stage: an experimental duo, with a violin, a keyboard, a drum kit, an arsenal of pedal effects and resources that take them from contemporaneity to electronics, from the atmospheric to the unbridled in just a few seconds. Their music is born and dies on stage and that volatility turns each show into a kind of unrepeatable liturgy that remains only in the memory of those who are lucky enough enjoy it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Their proposal has not only inhabited small, alternative rock venues or carefully programmed festivals (<strong>OOAM<\/strong> in Switzerland, <strong>Norpas<\/strong> in Finland, <strong>Euf\u00f2nic<\/strong> or <strong>AMFest<\/strong>), but has quickly grown and expanded its energies into the world of performing arts. Their project <em>4132314<\/em> together with <strong>Tarta Relena<\/strong> and <strong>Cocanha<\/strong> was <em><strong>Premio Ciutat de Barcelona<\/strong><\/em> in 2022, they shared the stage with <strong>BlancaLlum Vidal<\/strong>, a prestigious Catalan poet, in her \u201c<em>La Princesa sou V\u00f3s<\/em>\u201d (2022), with the dancer <strong>S\u00f3nia G\u00f3mez<\/strong> (2023) and other projects with <strong>Amorante<\/strong> (<em>SO<\/em>) Their sound designs for \u201c<em>Los Detectives<\/em>\u201d (Antic Teatre, 2022) or soundtracks such as \u201c<em>Remember my Name<\/em>\u201d \u201c<em>Magaluf Ghost Town<\/em>\u201d (Toronto Film Festival, 2021), \u201c<em>Autodefensa<\/em>\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When at the end of 2022 they decided to record an album, no one could believe it. \u201c<strong>Queda pendiente<\/strong>\u201d (It remains pending) is not the summary of their 5 years of life, as would be expected, but rather it is a faithful reflection of what <strong>Los Sara Fontan<\/strong> are right now. It is a live, contemporary, meandering and absolutely dynamic album. It has been recorded live by the band itself (it is not necessary to name DIY here) and mixed by <strong>Santi Garc\u00eda<\/strong> at the Ultramarinos, with a devastating mastering by <strong>\u00c1lvaro Gallego<\/strong>. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The list of adjectives expands with each listening: expansive, forceful, danceable, exciting&#8230; If instrumental music leaves room for the listener to interpret the listening, \u201c<strong>Queda pendiente<\/strong>\u201d is an exercise in sonic freedom that makes you continue to believe in music and in those who are behind it. The recording strengthens their live shows, which continue to be wild celebrations where polyrhythms, silences or well-managed sound pressure make us think that Los Sara Fontan, for that little while, do what they want with us. And what a pleasure, hey. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>White 12&#8243; limited edition to 100 copies<\/p>\n<p>First 25 copies go with an exclusive 33x33cm\/150gr poster by Sevilla artist Maria Medem, who has illustrated 4 songs of the album: Visita de Obra, Wall-e, Magaluf and Cuerno de Arce.<\/p>\n<p>Folder cut at L&#8217;Autom\u00e0tica by the band &amp; Todojunto<\/p>\n<p>Design by Todojunto<\/p>\n","protected":false},"featured_media":23506,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_cat":[326,355,1246],"product_tag":[],"composite_virtual":false,"composite_layout":"","composite_add_to_cart_form_location":"","composite_editable_in_cart":false,"composite_sold_individually_context":"","composite_shop_price_calc":"","composite_components":[],"composite_scenarios":[],"_links":{"self":[{"href":"https:\/\/aloudmusic.com\/en\/wp-json\/wp\/v2\/product\/23521"}],"collection":[{"href":"https:\/\/aloudmusic.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/aloudmusic.com\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/aloudmusic.com\/en\/wp-json\/wp\/v2\/comments?post=23521"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aloudmusic.com\/en\/wp-json\/wp\/v2\/media\/23506"}],"wp:attachment":[{"href":"https:\/\/aloudmusic.com\/en\/wp-json\/wp\/v2\/media?parent=23521"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/aloudmusic.com\/en\/wp-json\/wp\/v2\/product_cat?post=23521"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/aloudmusic.com\/en\/wp-json\/wp\/v2\/product_tag?post=23521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}